{"id":42,"date":"2022-06-23T20:18:50","date_gmt":"2022-06-23T20:18:50","guid":{"rendered":"http:\/\/christinekwonwrites.com\/?page_id=42"},"modified":"2024-12-11T15:34:19","modified_gmt":"2024-12-11T15:34:19","slug":"work","status":"publish","type":"page","link":"https:\/\/christinekwonwrites.com\/?page_id=42","title":{"rendered":"work"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"42\" class=\"elementor elementor-42\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6c7158d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6c7158d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4a03dba\" data-id=\"4a03dba\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8d7c6f5 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"8d7c6f5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h4>POETRY<\/h4><p>The Spectacle (<em>forthcoming<\/em>): &#8220;Copenhagen&#8221; + &#8220;Alison Roman&#8221;<\/p><div><a href=\"https:\/\/tygerquarterly.com\/Christine-Kwon\">Tyger Quarterly<\/a>: &#8220;Joseph Cornell&#8217;s Observations Walking Down a Street&#8221; + &#8220;When your month is lonely&#8221; + &#8220;Resignation Syndrome&#8221;<\/div><div><p>Salamander (<i>in print)<\/i>: &#8220;November a loose branching cluster of scars&#8221;<\/p><p><a href=\"https:\/\/decembermag.org\/december-spotlight-christine-kwon\/\">december magazine<\/a>: &#8220;The Emperor of Rain&#8221;<\/p><p>The Tusculum Review (in print): &#8220;Between Saturn and Siberia Bar&#8221;<\/p><\/div><p>Copper Nickel (in print): &#8220;How&#8217;s Your Head&#8221; + &#8220;[<em>Is it you sparrow singing in my book<\/em>]&#8221; + &#8220;It Will Not Last the Night&#8221;<\/p><p><a href=\"https:\/\/therumpus.net\/2023\/06\/08\/rumpus-original-poetry-two-poems-by-christine-kwon\/\">The Rumpus<\/a>: &#8220;Not for Pleasure Alone&#8221; + &#8220;Broodmare&#8221;<\/p><p><a href=\"https:\/\/www.tupeloquarterly.com\/poetry\/christine-kwon-a-portfolio-of-poetry\/\">Tupelo Quarterly<\/a>: A portfolio of poems:\u00a0\u00a0\u201cNot Asphodel\u201d + \u201cElysian Fields\u201d + \u201cGarden of Old Men\u201d + \u201cLittlejohn\u201d + \u201cMarie\u201d + \u201cWhite Petals\u201d + \u201cFaint with Love\u201d + \u201cdaddy song\u201d + \u201cwhite horse\u201d<\/p><p>The Xavier Review (in print): &#8220;franz wright&#8221; + &#8220;You Look Like Frank Stanford&#8221;<\/p><p>The Harvard Advocate (in print): &#8220;Lazy Boy&#8221;<\/p><p><a href=\"https:\/\/www.mudroommag.com\/christinekwon\">MudRoom<\/a>: &#8220;Nest of Yellow Beasts&#8221;<\/p><p><a href=\"https:\/\/www.anothernewcalligraphy.com\/kwon-4poems.html\">Another New Calligraphy\/ Impossible Task<\/a>: &#8220;The Body Electric&#8221; + &#8220;white button down&#8221; + &#8220;professor bloom&#8221; + &#8220;Great White Hunter&#8221;<\/p><p><a href=\"https:\/\/issuu.com\/thecolumbiareview\/docs\/spring_2022_draft5\">The Columbia Review<\/a>: \u201cMonday in City Park\u201d<\/p><p><a href=\"https:\/\/silveroperation.com\/Christine-Kwon-October\">Silver Operation<\/a>: &#8220;the maiden&#8221;<\/p><p><a href=\"https:\/\/www.concisionpoetry.com\/christinekwon\">Concision Poetry Journal<\/a>: &#8220;A Ribbon the Most Perfect Blue&#8221;<\/p><p><a href=\"https:\/\/deepoverstock.com\/2022\/10\/01\/book-sale-christine-kwon\/\">Deep Overstock<\/a>: &#8220;Book Sale&#8221;<\/p><p><a href=\"http:\/\/www.waxnine.com\/journal\/christine-kwon\/\">Wax Nine Journal<\/a>: &#8220;Workhorse&#8221; + &#8220;A Chamb\u00e9ry Stroll&#8221;<\/p><p><a href=\"https:\/\/ogre.red\/issues\/2022-08\/2022-08-kwon-christine\/\">Red Ogre Review<\/a>: &#8220;Affirmations&#8221;<\/p><p><a href=\"https:\/\/apocalypse-confidential.com\/2022\/06\/09\/today-i-was-elegant-the-river-1963-2019\/\">Apocalypse Confidential<\/a>: \u201cToday I Was Elegant\u201d + \u201cThe River (1963-2019)\u201d<\/p><p><a href=\"https:\/\/www.poetryproject.org\/publications\/the-recluse\/issue-19\/christine-kwon\">The Recluse (The Poetry Project)<\/a>: \u201cNoh Mask\u201d<\/p><p><a href=\"https:\/\/www.hotpinkmag.com\/archive\/issue-three\/christine-kwon\">Hot Pink Mag<\/a>: \u201cGirls on Bikes\u201d + \u201cCharism\u201d<\/p><p><a href=\"https:\/\/reclinermag.com\/issue\/3\/saturday-morning-cartoons\/christine-kwon-two-poems\">Recliner Mag<\/a>: \u201cLe Weekend\u201d + \u201cEggs\u201d<\/p><p><a href=\"https:\/\/www.sweetmammalian.com\/issue-eight\/christine-kwon\">Sweet Mammalian<\/a>: \u201cIn the Middle of the Middle of the Middle\u201d<\/p><h4>FICTION<\/h4><p>North Dakota Quarterly (<em>in print<\/em>): &#8220;Straight to the Heart&#8221;<\/p><p><a href=\"https:\/\/sites.miamioh.edu\/oxmag\/the-virus-of-elegance-by-christine-kwon\/\">OxMag<\/a>: &#8220;The Virus of Elegance&#8221;<\/p><p><a href=\"http:\/\/www.athinsliceofanxiety.com\/2023\/03\/fiction-freckles.html\">A Thin Slice of Anxiety<\/a>: &#8216;The Freckles&#8221;<\/p><p>Louisiana Literature (<em>in print<\/em>): &#8220;White Yoko Ono&#8221;<\/p><p><a href=\"https:\/\/www.astrolabe.ooo\/kwon-the-chinese-man-and-the-desert\">Astrolabe<\/a>: &#8220;The Chinese Man and the Desert&#8221;<\/p><p><a href=\"https:\/\/xraylitmag.com\/ciao-trieste-by-christine-kwon\/fiction\/\">X-R-A-Y<\/a> : \u201cCiao, Trieste\u201d<\/p><p><a href=\"https:\/\/joylandmagazine.com\/fiction\/the-whipping\/\">JOYLAND MAGAZINE<\/a>: \u201cThe Whipping&#8221;<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>POETRY The Spectacle (forthcoming): &#8220;Copenhagen&#8221; + &#8220;Alison Roman&#8221; Tyger Quarterly: &#8220;Joseph Cornell&#8217;s Observations Walking Down a Street&#8221; + &#8220;When your month is lonely&#8221; + &#8220;Resignation Syndrome&#8221; Salamander (in print): &#8220;November&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/christinekwonwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/christinekwonwrites.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christinekwonwrites.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christinekwonwrites.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/christinekwonwrites.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42"}],"version-history":[{"count":5,"href":"https:\/\/christinekwonwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":510,"href":"https:\/\/christinekwonwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions\/510"}],"wp:attachment":[{"href":"https:\/\/christinekwonwrites.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}